Hansi Lo Wang

Hansi Lo Wang is a National Desk reporter based at NPR's New York Bureau. He covers issues and events in the Northeast.

He previously reported on race, ethnicity and culture for NPR's Code Switch team. Since joining NPR in 2010 as a Kroc Fellow, he's contributed to NPR's breaking news coverage of the 2013 tornado in Moore, Okla., the trial of George Zimmerman in Florida and the Washington Navy Yard shooting. He has also reported for Seattle public radio station KUOW and worked behind the scenes of NPR's Weekend Edition as a production assistant.

In 2014, he won the National Journalism Award for General Excellence in Radio from the Asian American Journalists Association for his profile of a white member of a Boston Chinatown gang. He was also a finalist for a Salute to Excellence National Media Award from the National Association of Black Journalists.

A Philadelphia native, Wang speaks both Mandarin and Cantonese dialects of Chinese. As a student at Swarthmore College, he hosted, produced, and reported for a weekly podcast on the wars in Iraq and Afghanistan.

They were under watch by the FBI and the New York Police Department. And by the early 1970s, the Young Lords emerged as one of the country's most prominent radical groups led by Latino activists.

Inspired by the Black Panthers, a band of young Puerto Ricans wanted to form a Latino counterpart to the black nationalist group. In fact, one of the founding Young Lords in New York City almost started a group called the "Brown Tigers."

There aren't a lot of obscure government board meetings that warrant a watch party, let alone one with a marching band.

But that's how fast-food restaurant workers and their supporters celebrated Wednesday on a blocked-off street in Manhattan, as they watched a state panel recommend a $6.25 increase in their hourly wage, to $15.

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Today for the last time, soldiers - toy soldiers - opened the doors of a New York City icon.

UNIDENTIFIED MAN: Are you ready to do it one more time?

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MAN: Guys, come on in. Welcome to FAO.

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My mother's family fled communism twice.

The first time was from China. Then, after Saigon fell in 1975, they left Vietnam.

My mother, Kuo Nam Lo, was 24 when she spent her first few months in the U.S. at a refugee camp at a military base along a stretch of the Appalachian Mountains in central Pennsylvania.

"I've always wanted to come back here," my mother told me in Cantonese on a recent drive through Fort Indiantown Gap. "Son, you've made my dream come true."

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Editor's note: A version of this story was originally published in May 2012.

If there's one grilling tip to remember this Memorial Day weekend, it should be this: Flame is bad.

"Flame does nasty things to food," food historian and science guy Alton Brown tells NPR's Scott Simon.

Of all the police officers involved in the recent deaths of unarmed men which have drawn national attention, only one is Asian-American – New York City Police Officer Peter Liang, the son of Chinese immigrants.

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The federal investigation into Baltimore's police force is one of the first steps some in the city believe will rebuild the relationship between officers and residents.

Some faith leaders are optimistic that can be done, and past police programs have helped. But other residents are skeptical that West Baltimore residents' trust can be regained.

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In New York City, commuters traveling near ground zero today were greeted by an unusual sound - typewriters. And tapping away on them - poets writing verse on demand. NPR's Hansi Lo Wang stopped by to see some of them at work in lower Manhattan.

An obscure but riveting genre of theater is being revived in New York City.

They're called "anti-lynching plays." Most were written by black playwrights during the early 1900s to show how lynchings devastated African-American families.

There's no historical marker outside Jacob Lawrence's childhood home in New York City's Harlem neighborhood.

But Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, has an idea of what it might say: "Here lived one of the 20th century's most influential visual artists, a man named Jacob Lawrence, who was a child of southern migrants."

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